Octaver question

Started by bilo01, July 18, 2014, 04:42:31 AM

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bilo01

Hi all, i'm looking for a vero layout off a clean octaver, not the fuzz realated kind like on tagboards. Does anyone have a suggestion?
Who is the best guitarist in the world they asked Jimi. Don't know, ask Rory he said.

deadastronaut



there is no such thing imo...(unless you want half hearted 12th fret up type lame faux octave)

for good  octaves , as a diy 'er i'm ashamed to say i'd just buy one... :)

or learn dsp programming etc...
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chasm reverb/tremshifter/faze filter/abductor II delay/timestream reverb/dreamtime delay/skinwalker hi gain dist/black triangle OD/ nano drums/space patrol fuzz//

bilo01

I'll take your word for it deadastronaut. I guess it's shopping time again
Who is the best guitarist in the world they asked Jimi. Don't know, ask Rory he said.

deadastronaut

yup!..for instant proper octaves i would...saying that

the awesomely clever and knowledgeable dudes on here like ice-9 mick and ian -slacker mess with the spin semi FV-1 and gget phenomenol results.

and they would no doubt point you in the right direction diy wise..

but its way above my head.... 8)

https://www.youtube.com/user/100roberthenry
https://deadastronaut.wixsite.com/effects

chasm reverb/tremshifter/faze filter/abductor II delay/timestream reverb/dreamtime delay/skinwalker hi gain dist/black triangle OD/ nano drums/space patrol fuzz//

Mark Hammer

I don't think any of us here have experimented with it, but theoretically "clean" doubling can be achieved by feeding an input signal into a VCA, and modulating that VCA by the same signal.  Aphex uses this method to produce the added harmonic content in one of their "exciters".

samhay

Mark - from memory, you still get problems with intermodulation distortion that way, so it is only clean for single note work.
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Mark Hammer

That may be why Aphex uses it in conjunction with a steep highpass filter that removes the fundamental!  :icon_mrgreen:

tommycataus

I've looked around for one and the best design I've seen is the pearl octaver. Hopefully madbean still has PCBs for sale on his site as I'm planning on buying one. I doubt you'll find one on Vero that will be of a moderate size so this is the next best thing for a DIYer imo, short of buying one ready made.
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Digital Larry

Quote from: Mark Hammer on July 21, 2014, 03:37:34 PM
I don't think any of us here have experimented with it, but theoretically "clean" doubling can be achieved by feeding an input signal into a VCA, and modulating that VCA by the same signal.  Aphex uses this method to produce the added harmonic content in one of their "exciters".
I tried this last night on my DSP system and it sounds anything but clean.  Multiplying a signal by itself (squaring) does something similar to rectification.  I didn't do any filtering.
Digital Larry
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thehallofshields

Quote from: Digital Larry on July 22, 2014, 10:21:48 AM
I tried this last night on my DSP system and it sounds anything but clean.  Multiplying a signal by itself (squaring) does something similar to rectification.  I didn't do any filtering.

I don't mean to be a smartass, I'm clueless with DSP, but you should be doubling the Q for an Octave, not squaring it.

Example: 440hz = A3,  880hz = A4, 440 ^2 = 193,000hz

vigilante397

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Digital Larry

#11
Quote from: thehallofshields on July 22, 2014, 08:06:45 PM
Quote from: Digital Larry on July 22, 2014, 10:21:48 AM
I tried this last night on my DSP system and it sounds anything but clean.  Multiplying a signal by itself (squaring) does something similar to rectification.  I didn't do any filtering.

I don't mean to be a smartass, I'm clueless with DSP, but you should be doubling the Q for an Octave, not squaring it.

Example: 440hz = A3,  880hz = A4, 440 ^2 = 193,000hz

Mark was talking about modulating the control signal of a VCA with the signal itself, which is also going to the VCA's input.  Since I don't have a VCA handy, I used the "multiply" (actually a volume control) function of my DSP just to see what it sounded like.  There's a trigonometric identity:

sin^2(x) = ½[1 – cos(2x)]

Which says, if you "square" a sine wave, the result consists of a DC component and a signal at twice the frequency - not the square of the frequency.  So at one mathematical level, it should work for sine waves.   I'm not sure why it sounded so crappy; might be worth further investigation.  But if it did work in general, seems people would be using it lots more than DSP and raspy sounding octave fuzzes.

Well OK I think I have it after a bit of thought.  It WILL work for sine waves - though you get some DC in the output.  

But, if you consider the case of two sine waves added together like this:

sin(a) + sin(b)

If you square this, you get:

sin^2(a) + 2 sin(a)sin(b) + sin^2(b)

It's the 2 sin(a)sin(b) stuff that is all the extra hash.  If you could get rid of that you'd be pretty happy about it, I'd wager!
Digital Larry
Want to quickly design your own effects patches for the Spin FV-1 DSP chip?
https://github.com/HolyCityAudio/SpinCAD-Designer

merlinb


Eddododo

Quote from: merlinb on July 23, 2014, 03:34:58 AM
I'm surprised no one's mentioned RG's Mu Doubler:
http://www.geofex.com/Article_Folders/jfetdoub/mudoubler.htm
I never got mine to work , though the error is beyond doubt my own

Digital Larry

I did a test last night, comparing the sound of the signal "squarer" with a raw rectification stage.  They are actually quite similar - but the rectifier "octave fuzz" has a harsher, buzzier sound.  They sound much better on single note lines than chords.
Digital Larry
Want to quickly design your own effects patches for the Spin FV-1 DSP chip?
https://github.com/HolyCityAudio/SpinCAD-Designer