the ultimate fuzz/dist/od would have...

Started by b_rogers, September 26, 2004, 07:47:40 PM

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b_rogers

what features would the ultimate dirt box have?

which features are most important to you guys besides good tones?



Brent
homegrown, family raised couch potatoes. temperament unsurpassed.
http://electricladystaffs.com/

Marcos - Munky

To me, need to have high gain, and be very sensible to artificial harmonics.

David

A JFET input buffer
Switchable soft or hard clipping
A built-in compressor
3-band tone control
true-bypass switching with status LED
Battery or power supply operation
Clean boost only mode
Compressor only mode
Distortion only mode

lightningfingers

U N D E F I N E D

stm

Quote from: lightningfingersA beer opener.

To me a Capucchino serving stompbox would be great  :wink:

OK, now seriously, I think the most difficult to get in a stompbox WITHOUT an actual tube amp in front is a good "cranked power amp" sound.  Smooth & mild overdrive with compression and dynamics, useful for "just no so clean" chordwork.

For instance, the second sample on Professor Tweed gets close. On the other hand, I don't like the Peppermill samples cause I find the sound too gritty.  Maybe "18" emulation by ROG has also some nice sounds.

RDV


Lonestarjohnny

Would have a cord plugged into MY GUITAR ! :mrgreen:
Johnny

jimbob

a sign that read  "free to good home" ...and "comes with free beer"
"I think somebody should come up with a way to breed a very large shrimp. That way, you could ride him, then after you camped at night, you could eat him. How about it, science?"

b_rogers

i guess what i meant is what features are most important to YOU in a od/dist/fuzz...like vol knob cleanup, clipping type, tonestack, etc...
homegrown, family raised couch potatoes. temperament unsurpassed.
http://electricladystaffs.com/

Steben

Well i think the differences between od, dist and fuzz are very important to make such comments.

Overdrive (low drive?): very touch sensitive off course (dynamics), possibilities from soft to hard clipping, "pre" tone control

Distortion (heavy drive right?): Good post tone control is for me the most important with high distortion, all the rest is bullocks, high gain sounds allways the same...

Fuzz : soft to hard clipping, second order harmonics, rather no tube sound at all, it would be no fuzz right? ;-)
  • SUPPORTER
Rules apply only for those who are not allowed to break them

Steben

At this moment I'm stuck with my RangeMaster clone in front of a Boss DS-1 set on low gain. Real cool BlackSabbath 1 sounds.

Too bad I was actually thinking of modding the DS-1. I'll make it switcheable ;-)
  • SUPPORTER
Rules apply only for those who are not allowed to break them

WGTP

Sweet Bright Singing Sustaining highs

Hot and Nasty bottom end

Magical 3 dimentional mid-range with grind and swirl.

Inspirational, Indistructable, Irresistable

Raging Marshall Stack Simulator

With spell check

In that cool curved flat box I saw in Puretube's pic. made of platinum with a 1000 back up boxes I could sell and retire.

The ultimate tone   8)
Stomping Out Sparks & Flames

Mark Hammer

1) Continuously variable or switch-changeable dynamics.

2) Gain recovery stage for high output with minimal clipping/coloration.

3) Switchable/bypassable tone control.

4) Pre-clip band emphasis.

5) Two-pole lowpass filter for fizz cleanup.

Line 6 has a new line of pedals coming out (http://line6.com/tonecore/) that I gather are single-purpose modelling pedals.  The Crunchtone pedal is VERY sweet with a lot of different capabilities for an overdrive unit aimed at bluesies.  The sound clips are impressive.

WGTP

Forgot - 4 swithcable pre/post gain/distortion parametric EQ sections

Fusion power  8)
Stomping Out Sparks & Flames

LP Hovercraft

...Sounds like a girl I used to date.  I knew there was some kind of subliminal motive behind this hobby for me :P   Other than that, I'd say my Skyripper is the MVP on my rig.  A universe of fuzz and boost!![/quote]

WGTP

Stomping Out Sparks & Flames

marc

a saturated fuzz sound that you could play a maj/min 7th chord through (or anything more harmonically complex than natural 4th or 5th intervals!) without sounding like a pig coughing up mud. but the math's not in it i guess.

b_rogers

thanks for the answers guys...i was thinking about different options to put in one pedal that would please most people and adapt to most guitars and amps. i have a few friends who want to pay me to make them one box that could "do it all"  

so far i am thinking of

ORANGE SQUEEZER>RM AXIS>TS-9 or OS>FF/axis>BSIAB2  with independent tone controls, different clipping options,  boost switch and switchable incap.


any thoughts on which circuits to combine to cover most of the bases?
homegrown, family raised couch potatoes. temperament unsurpassed.
http://electricladystaffs.com/

Hal