DIYstompboxes.com

DIY Stompboxes => Building your own stompbox => Topic started by: csj on March 19, 2004, 02:43:15 PM

Title: Obsidian + Bobtavia = Ernie Isley?
Post by: csj on March 19, 2004, 02:43:15 PM
I didn't like either effect that much individually.
When I drove the Bobtavia with the Obsidian the first thing I thought about was that old Isley Bros. tune "Who's that Lady".
Alot of "splatter" but not at all bad.

I've got a wav file of it - if anyone is interested I'll mail it out.

I have no idea how to upload it onto the internet.
Other than a handful of sites I don't do too much "web" stuff.
Or TV for that matter.
Title: Ernie? Not quite...
Post by: David on March 19, 2004, 03:40:49 PM
Ernie's tool on that tune was a Roland Jet Phaser.

I've been looking to get this sound myself, possibly trying a combo of compressor, some kind of distortion and a phase shifter, EasyVibe or something like that.

Why the Bobtavia?  Are you hearing octaves?
Title: Obsidian + Bobtavia = Ernie Isley?
Post by: puretube on March 19, 2004, 08:22:25 PM
Bootsy told me Ernie told him (and Dave Stewart told me both told him...),
that it was a Big Muff thru a small stone ( - which I doubt in `74 - ) , or a Roland Jet....
Title: Obsidian + Bobtavia = Ernie Isley?
Post by: MarkB on March 19, 2004, 08:57:28 PM
I've read that it was a Jet Phaser.. and after resurrecting mine - I can confirm that it IS definitely the sound..  if I get a chance later - I'll record a couple of clips.

That being said - a BigMuff ('78) through a Maestro Phase Shifter will also come REAL close.
"-)
Title: Obsidian + Bobtavia = Ernie Isley?
Post by: csj on March 19, 2004, 09:35:25 PM
I had no idea what he used...thanks for the info.
I've always thought he was an under-rated player...took way too much criticism for being a "Hendrix wannabe".

The Bobtavia has a pretty bad rep, I know.
The parts were handy so I just decided to give it a shot.
It seems to act the best when it's being driven hard by another (high gain) pedal. The octave has that splatter effect which actually sounds quite musical. A singing, sustaining splat that you can pretty much control by how hard you pick.

At lower gains with the tone knob rolled back, I swear, it sounds just like a piccolo. Fast runs above the 12th fret sound very, very cool.

I think it's a keeper.

Check out the file if you get the time.