+1 the regulator choice.
The intended schematic opamp TLC27 type is a different beast.
For one thing, you should not connect an input pin of a TL07x to 0v (the chip negative supply) as the design does for the unused opamp pin 5. This is ok for a TLC series opamp because these are CMOS based opamps while it's forbidden in the specifications of the JFET input TL series. However, the only penalty is likely to be a bit more supply current wasted. If they had tied pin5 to 5v it would be within spec for any type of opamp.
The CMOS TLC opamps do tend to clip more smoothly and musically when driven to distortion although they will produce more hiss noise than a TL series. This is probably the reason for choosing the rarer TLC27 although any TLC series quad opamp would probably be good for it. I'm aware that DBA go for trashy sound, but there are interesting or unlistenable varieties of trashy
As to tonal balance, the clean signal gets treble emphasis from R16//C13 (staring over 300Hz) while the reverb output does not. Then if the output booster gain is high, C14 cuts more highs (down near 300Hz at max gain) and you would expect it to dull the reverb. Changing C14 and C10 to smaller values and even shorting out R16/C13 altogether might get the sound to your taste.