This is a mod I recently devised for the dynacomp / ross compressor to blend in the uncompressed
signal back in. I loved the Ross's sustain and quiet behavior, but wasn't crazy about the slow attack
that it seems stuck with, which makes a "pop" on the attack of each note before the compressor
clamps down. This mod does wonders for changing that characteristic of the pedal (even though that
particular sound is still available, with the blend entirely to the comp side).

Also the Ross acts as a limiter, being it tries to make everything the same level. With heavy
sustain settings, it can lose almost all dynamics. With a little of the clean thrown back in, its
more like a compressor. Apparently some older rack compressors/limiters were made with this a
feature, dialing some dry signal in with the limited signal to get a "compression".
It takes more parts than a typical mod, its more of an "add on". It can be made on a small daughter
board though, mine is 1 1/8"x 1 1/4. Also an unintended but possibly beneficial side effect of this
mod is that the output is now in phase with the input.
Also the Hammer mods are in my prototype too: a .001 cap in parallel with the 10k resistor before
the volume control, for a bit of treble compensation, and a 3 way center off toggle switch to select
a 33K, 10K and 150K resistors for the recovery mod. The super fast recovery time, which makes the
notes really pop, works well with the clean blend option. Another mod I did was change the 56k
resistor in the Vb bias voltage divider to 27K, to make the bias supply 1/2 V+, in an attempt to get
more headroom from the first transistor stage. This is important because this is where the mixer
gets the dry signal. One could probably also get the dry signal directly from the input, without
any problems.
I'm really excited about how this sounds, especially because I've been using a stock ross clone for
a couple years now. Try it if you aren't 100% happy with your Ross/Dyna clone. Heck, do it anyway.
Any discussion on the design is welcome, one possibly funky aspect for starters is having the wiper
of the 10K panning pot tied to 1/2V rather than ground, I was trying to save a couple coupling caps,
thats all. Also getting the dry signal from the first transistor buffer stage rather than the input
could be questioned. The thinking there was to present the compressor with a lightly higher input
impedance than you would get with the input feeding directly to both stages. The overall gain of
the effect can be increased by making the feedback resistor (the 56K) of U2B larger. The gain of
the clean relative to the compressor can be controlled with the feedback resistor of U2A. There
were some problems with clipping when using hot pickups with more gain coming from U2A, though.
Maybe a rail-rail opamp would perform better here than the trusty Tl072. The notion of putting back
2 back LEDs in the feedback loop of U2A crossed my mind as well, so if it clips it sounds like you
meant it to...
Thanks to the Barber Electronics' Tone Press for inspiration, and RG Keen's panning article at
geofex.
Happy holidays to everyone,
-Ben