You're most welcome.
Think about how many producers and engineers will talk about how they use multiple amps and cabs to "thicken up" the sound of a recorded guitar. Now, a big part of that will be because all those amps and cabs have different resonances that show up at different points, post-strum. But it will also be the case that the sound produced by all those amps, mic'd up separately, will not be flawlessly or perfectly aligned in time. The difference may be a fraction of a millisecond, or two, and, HEY wait a second!
Yup, this makes an excellent addition to a splitter so that two amps, or even two distortion pedals, can be fed with signals that are staggered juuuuuuuust ever so slightly, to add some richness. You won't hear it as chorus or flanging, because nothing is being swept, and you certainly won't hear it as delay, because it is way too short. But you just might hear it as a tonal thickening or simply difference in character, arising from the re-alignment or misalignment of harmonics.
